Metadata
WORK ID: YFA 7158 (Master Record)
Title | Year | Date |
MILLENIUM CELEBRATIONS IN ROME | 1988 | 1988-07-10 |
Details
Original Format: VHS Colour: Colour Sound: Sound Duration: 2 hrs 05 mins Credits: Ukrainian Video Archives Society Genre: Documentary Subject: Religion Celebrations/Ceremonies Arts/Culture |
Summary This film documents a series of events held in Rome in early July 1988 in celebration of the Millennium of Christianity in Ukraine. It was made by the Ukrainian Video Archives Society (UVAS) and is credited to them. The film is in colour with sound, and is in Ukrainian. It is a final edited version. |
Description
This film documents a series of events held in Rome in early July 1988 in celebration of the Millennium of Christianity in Ukraine. It was made by the Ukrainian Video Archives Society (UVAS) and is credited to them. The film is in colour with sound, and is in Ukrainian. It is a final edited version.
The film begins with the UVAS logo overlaid with the sound of bell chimes, followed by the Ukrainian version of the logo - UVAT. Next, we hear choral music over a still of a painting depicting...
This film documents a series of events held in Rome in early July 1988 in celebration of the Millennium of Christianity in Ukraine. It was made by the Ukrainian Video Archives Society (UVAS) and is credited to them. The film is in colour with sound, and is in Ukrainian. It is a final edited version.
The film begins with the UVAS logo overlaid with the sound of bell chimes, followed by the Ukrainian version of the logo - UVAT. Next, we hear choral music over a still of a painting depicting the baptism of Ukraine on the banks of the Dnipro river in 988 (artist unidentified). A voiceover by Wolodymyr Demtschuk gives the general historic context for the millennium celebrations which is followed by a still of the millennium logo. The film is divided into sections, each of which covers a day or event. Each section of the film has a banner that pops up at the bottom of the screen giving the date, time and location of the events in Ukrainian and Italian. The voiceover continues through the film giving context and commentary for the events. Each event is shown through edited highlights. The viewing notes below provide a guide with timings.
Thus 4 July - Columbus Hotel, press conference venue.
Fri 5 July - St Maria Maggiore - external and internal views. A sung liturgy is celebrated by Pavlo Luniw from Halifax, with a sermon by Bishop Robert [Moskal] from the USA. Footage of various personalities of significance to the diaspora is captured during communion (15 mins) and includes Yaroslava Stestko of the Anti-Bolshevik Bloc of Nations (ABN); Peter Sevarin head of the World Congress of Free Ukrainians (WCFW, now World Congress of Ukrainians - WCU). The Canadian choir of St Dmitry conducted by Myron Maksymiv sing during communion. 16 mins - the service ends and there is a procession of the Patriarch and bishops onto the square outside the church.
19 mins - Basilica of St Clement [Pope] - molebyn (short liturgy) held at 4pm. The choice of the venue is significant because of St Clement's influence over Ukrainian church. Service features a choir of nuns. Poor lighting inside the church makes for difficult viewing.
Sat 10 July - Youth Day. Includes a church service and a concert. 9am - Molebyn (short liturgy) attended by Pope John Paul II. Lots of footage of the crowds assembled outside St Sofia via Bocce. Includes a sermon by the Patriarch and the Pope in Ukrainian (29 mins). Pavlo Hunka conducts a choir which sings mnohaya lita (Many Years) at the end of the molebyn. Brass band (Trembita from Montreal, Canada) and Millennium Jubilee choir sing the Patriarchal hymn. The concert starts at 36 mins 56 secs - highlights of all the acts. Ends with Patriarchal hymn.
49 mins - footage of a market selling millennium merchandise.
50 mins - lecture by a priest in one of the lecture theatres at the seminary but no information or voiceover to explain or provide context.
51 mins - requiem mass for Cardinal Josef Slipiy in the crypt at St Sofia. His body entombed in a glass case.
55 mins - molebyn at St Peter's with Trembita orchestra from Canada and footage of CYM members marching.
58 mins - black screen for 1 mins but voiceover continues.
59 mins - performance by the choir of St Barbara's Church Vienna, Austria.
1 hr 2 mins - outdoor candlelit night-time liturgy. More than 10,000 people attended.
Sunday 10 July - culmination of celebrations at St Peter's. Footage begins by shows coaches and people arriving - over 13,000 people attended.
1 hr 9 mins - black screen but voiceover continues. This will be the first Ukrainian liturgy performed by a Pope (John Paul II). Pavlo Hunka sings the gospel. The Pope gives a sermon at 1 hr 20 mins, communion follows at 1 hr 25 mins. Myroslaw Buczo from Nottingham conducts the choir. Notable moments from include footage of Josef Terena, a former political prisoner at 1 hr 26 mins and Oksana Seropucz from Bolton receiving her first holy communion at 1 hr 26 mins.
The film goes black after this for a few minutes before returning at 1 hr 30 mins. 1 hr 29 mins mnohaya lita is sung but no visuals.
1 hr 30 mins 6pm Jubilee concert in the Paul VI Hall at the Vatican. 1 hr 32 mins unveiling of the statute of Volodymyr the Great by the sculptor; choirs perform and are conducted by Myroslav Antonovycz, Jaroslaw Babuniak, Vika Congradska (footage of all of them at 1 hr 33 mins). Orlyk dance ensemble perform dances to the choirs in four different regional costumes, performers are children, women and men; 1 hr 36 mins Kataryna Bidna and Petro Martiniuk present a gift to the Pope and are given a blessing; 1 hr 28 mins the Pope speaks; 1 hr 39 mins all the jubilee choirs sing mnohaya lita (Many Years) together; 1 hr 40 mins Pope has a photo with the performers.
1 hr 41 mins, Monday 11 July 9.30am liturgy at St Pauls Basilica; 1 hr 35 mins Byzantine Choir of Utrecht sing conducted by Myroslaw Antonovycz; 1 hr 45 min Josef Teren ex political prisoner speaks about the significance of the millennium in Ukraine (Wolodymyr Demtschuk is one of the interviewers); 1 hr 50 mins concert of Ukrainian spiritual music. Voiceover comments that the church (St Andrew della Valle) is badly lit. Includes the mixed millennium choir from Canada conducted by Yuri Tkaczuk, Ukrainian choir from Warsaw conducted by Jaroslaw Polansky, Byzantine Choir from Utrecht as previously, Vesnivka female choir from Toronto, Canada, conducted by Kvitka Kondracka, 1 hr 52 mins solo by Pavlo Hunka conducted by Stepan Hunka;
1 hr 53 mins footage from IV CYM World Zlet, including an exhibition curated by Maria Finiw of folk art and memorabilia at Domo Paschich (with commentary) followed by highlights of events at the zlet including seminars, lectures, sport etc.
1 hr 55 mins Footage of the Major Seminary which housed the press office for the millennium and footage of Sonia Dara and Iryna Myroslava who staffed it.
Tuesday 12 July 1 hr 55 mins Black screen but voiceover gives date and overview of another service at St Peter's Basilica and names conductors, possibly followed by the mass for Josef Slipiy - around 1 hr 58 mins.
The film ends with stills of saints Volodymyr and Olha with bells chiming and choral music, and a montage of various highlights including views of St Sofia, Papal procession, performances etc.
Ends 2 hrs 2 mins 2 secs with UVAS / UVAT logos.
Context
The year 1988 marked one thousand years since the baptism of Rus' by Grand Prince Volodymyr the Great of Kyiv. Christianity was introduced in the area which is now Ukraine from Byzantium. The celebrations of 1988 had particular importance for the Ukrainian diaspora community, who felt the obligation to commemorate the event as this was not possible under the Soviet system.
Additionally, there are conflicting narratives around who inherited and owns the conversion of the Rus'...
The year 1988 marked one thousand years since the baptism of Rus' by Grand Prince Volodymyr the Great of Kyiv. Christianity was introduced in the area which is now Ukraine from Byzantium. The celebrations of 1988 had particular importance for the Ukrainian diaspora community, who felt the obligation to commemorate the event as this was not possible under the Soviet system.
Additionally, there are conflicting narratives around who inherited and owns the conversion of the Rus' lands and people. Present day Ukraine, Belarus and Russia all have claim to Rus' through its various principalities which now fall within their modern borders, but since the fifteenth century, Russia has sought to raise its claim above those of its neighbours. The commemoration of 988 by Ukraine was therefore seen in the diaspora as an act of de-colonisation of Russian narratives of the history of religion in Ukraine, and an act in support of the freedom of religious beliefs. Volodymyr the Great's Viking (Varangian) ancestors were pagans whose trading and warring excursions brought them into contact with Germanic, Slavic, Saracen, Turkic and Byzantine groups who were variously pagan, Jewish, Muslim and Christian. There is evidence of Christian missions along the Black Sea coast, where Byzantine towns such as Chersonesus and Dorus were founded. The first ruler of Rus to convert to Christianity was Olha (Helga). This may have influenced her grandson Volodymyr in his choice of religion, but more likely his conversion was pragmatic, as it resulted in closer ties with the powerful Byzantine Empire, as well as his marriage to Anna, Emperor Basil’s sister. Closer links the Byzantium has been a goal of the Volodymyr's Viking merchant warrior ancestors who had worked their way south towards the empire along the Dnieper river, establishing the realm of Kyivan Rus in the process. The rejection of paganism also offered protection from enslavement from other monotheistic groups, such as the Muslim Bulgars, Jewish Khazars and Christoan Germans. This concern had increased as Volodymyr pushed the boundaries of Rus west towards Premyshl (Przemysl) in modern Poland and south towards the lands of the Pechenegs in modern southern Ukraine. After Volodymyr's conversion, the patriarch of Constantinople created the Metropolitanate of Rus', appointing metropolitans to head the church himself. Most of the metropolitans were Greeks, who in turn appointed bishops, most of whom came from the local elite. Using Byzantine statutes, monasteries were established, and Church Slavonic, based on the Glagoslavic alphabet devised by Cyril and Methodius for use in translating Greek texts to a local vernacular in Bulgaria, was introduced as the first literary language in the region. The process of Christianisation continued with Volodymyr's successors, who used Christianity to define their nation building, politics, culture, legal system and international relations. Notably, Volodymyr's son Yaroslav the Wise focused his reign on building the citadel at Kyiv, including its main entrance at the Golden Gate (Zoloti Vorota), and the Cathedral of St Sophia, both of which were heavily influenced by corresponding structures in Constantinople. In addition to this physical and architectural development, Yaroslav encouraged the intellectual development of Rus'. The first historic text about Rus', (the Primary Chronical / Tale of Byegone Years - Povest' vremennykh lit), the first law code (Rus' Justice - Ruskaya Pravda) and Metropolitan Ilarion's Sermon on Law and Grace, were all credited to Yaroslav's influence as he created a Byzantium of the North. |