COMMEMORATION OF UKRAINIAN HEROINES (23.02.1997); UKRAINIAN YOUTH ASSOCIATION CONCERT IN BRADFORD (01.03.1997)
Metadata
WORK ID: YFA 6775 (Master Record)
Title | Year | Date |
COMMEMORATION OF UKRAINIAN HEROINES (23.02.1997); UKRAINIAN YOUTH ASSOCIATION CONCERT IN BRADFORD (01.03.1997) | 1997 | 1997-02-23 |
Details
Original Format: VHS Colour: Colour Sound: Sound Duration: 2 hrs 53 mins 32 secs Genre: Documentary Subject: Women Celebrations/Ceremonies |
Summary This is a film documenting the Bradford branch of the Association of Ukrainian Women in Great Britain’s (AUW) annual commemoration of Ukrainian Heroines (Svyato Zhinky Heroyin) followed by a concert performed by the Bradford branch of the Ukrainian Youth Association (CYM). Both events take place in the main hall at Bradford Ukrainian Cultural Centre. The film was made by the Ukrainian Video Archives Society (UVAS) but there is no credit to them on the film. The language of the film is Ukrainian. |
Description
This is a film documenting the Bradford branch of the Association of Ukrainian Women in Great Britain’s (AUW) annual commemoration of Ukrainian Heroines. It was made by the Ukrainian Video Archives Society (UVAS) but there is no credit to them on the film.
The commemoration of Ukrainian Women took the form of a performance known as an akademiya held on the stage in the hall at Bradford Ukrainian Cultural Centre and comprised reading, poetry recitals, choral and dramatic performances...
This is a film documenting the Bradford branch of the Association of Ukrainian Women in Great Britain’s (AUW) annual commemoration of Ukrainian Heroines. It was made by the Ukrainian Video Archives Society (UVAS) but there is no credit to them on the film.
The commemoration of Ukrainian Women took the form of a performance known as an akademiya held on the stage in the hall at Bradford Ukrainian Cultural Centre and comprised reading, poetry recitals, choral and dramatic performances performed by branch members, and is usually all in Ukrainian. As this is an akademiya, there is no audience applause during the performance or at the end. The AUW members who take part all wear traditional Ukrainian embroidered blouses (usually white fabric with red and black or blue embroidery) unless wearing a costume for one of the dramatic performances. During the akademiya, the camera almost always stays focused on the stage to record the action taking place. The film has been edited so that each act in the akademiya is indicated by the opening or closing of the stage curtains. The stage is decorated with portraits of Ukrainian heroines, rushnyky (plural; singular - rushnyk: ritual cloths which are used decoratively around picture frames, furniture, lecterns etc.), the AUW Bradford Branch flag, floral arrangements and occasionally icons of the Virgin Mary. The poetry recitals and readings which form part of the akademiya are usually performed from behind a lectern. Microphones are used throughout. The majority of the AUW women performing are second generation Ukrainians.
The film begins with views of engravings about Ravensbruck concentration camp extracted from a new book about the concentration camp by Olena Wityk Wojtowycz which are displayed in the hall. The camera shows people arriving into the dark hall and taking their seats, then a bell tolls. The camera pans to the front of the hall, where members of AUW are standing on stage dressed in white embroidered blouses and holding candles, with music playing. The stage backdrop is decorated with four framed photographs of women (Olha Kobilanska, Alla Horska, Olena Teliha, Olha Basarab), a framed icon of the Virgin Mary, a flag and a traditional Ukrainian grave called a mohyla. A large wreath of flowers is displayed at the front of the stage. The camera moves to the back of the hall, where a procession of women dressed in the same way and carrying a single flower walk to the front of the hall and on to the stage, paying their respects at the mohyla then joining the arc of women on the stage. The music stops and the women bow to the mohyla. They then begin to sing a choral version of the Lord’s Prayer, and at the end the curtains close. Then the scene switches to the curtains opening and Halyna Prodywus, chair of AUW Bradford, walks out and stands behind the lectern to give an opening address about the context of the anniversary and its importance in remembering those who gave their lives for a free Ukraine. She then asks everyone to stand for a minute’s silence.
The programme continues with a number of items including three songs performed by the choir and pianist; a reading about Ukrainian heroines, including amongst others Lesiya Ukrayinka, Olha Basarab, Olena Teliha, female political prisoners who were imprisoned in gulags and concentration camps, women involved with the Ukrainian Underground and the Ukrainian Insurgent Army (known by its acronym UPA – Ukrayinska Povstanska Armiya) - note, the stage is set with two mohylas. The programme continues with the performance of a play by members of AUW Manchester Branch. The main protagonist of the play is a woman named Sofia and plot concerns her involvement with the Ukrainian resistance, and features a narrator alongside the actors. The play has two scenes, the first set in a library or reading room, with a desk in the middle of the stage with a bookcase and cabinet behind it, and a house in Virsky region. The play concludes with the revelation that Sofia was murdered for her part in the resistance. The curtain closes on the play and reopens to show some of the cast who have reassembled on the stage to read the names of some of the many women who died for Ukraine.
The finale of the akademiya is the performance of a song by the choir and pianist, after which all the performers assemble onstage. There is a short address about the exhibition of engravings of and the work of the World Federation of Ukrainian Women’s Organisations (WFUWO) and Lida Marczuk to create a permanent memorial for Ukrainian women imprisoned in Ravensbruck. Notice of a concert by the Ukrainian Youth Association (CYM) is given, and then the akademiya concludes with the singing of the Ukrainian national anthem.
The next section of the film starts at 1 hr 29 mins 38 secs and documents a concert performed by members of the Bradford branch of the Ukrainian Youth Association (CYM). The concert begins with a song by the CYM choir (all third-generation children) accompanied by Maria Danylczuk on piano. The choir are dressed in a mixture of CYM uniform and national costume. They sing the Masheruyut Vze Povstantsi (The Insurgents are Marching) before Stefan Jarotsky, chair of CYM in Bradford, takes to the stage to make an opening speech. He also awards badges to a group of CYMivtsi who have recently completed their CYM exams. The concert programme then continues with the following performances, each one is introduced by Stefan Jarotsky: three songs performed by CYMenyata; a kolomeyka danced by the younger boys and girls; Marko and Anna Danylczuk perform two pieces of music trumpet and piano; a kolomeyka danced by the younger children; a performance by the Orchestra (electric guitar, flute, keyboards and vocals); a polka danced by the young adults; the younger and older children perform two songs; the older children dance a hopak; the young women dance an unnamed dance; a comic sketch about a mother, her daughter and two naughty sons (the mother is performed by a man in drag); the younger and older children perform two songs - Oy Vidno Selo (Oh the Village) and Oy U Luzi Chervona Kalyna (The Red Viburnum in the Meadow) accompanied by Maria Danylczuk on piano. Stefan Jarotsky makes a closing speech and reminds attendees that the CYM AGM will be held the following week. He then invites Zenon Lastowiecki, chair of AUGB Bradford, onto the stage to make an announcement about a film which will be shown the following week which was made by the Ukrainian Congress in America about Stefan Bandera. The choir and audience all sing Vhoru Prapory (Raise the Flags) and the concert ends at 2 hrs 52 mins 36 secs.
Context
In February each year, the Association of Ukrainian Women in Great Britain (AUW) commemorate Ukrainian Heroines (Svyato Zhinky Heroyiny). February was chosen as this was the month in which Olha Basarab (died 1924) and Olena Teliha (died 1942) were killed because of their dissident activism in pursuit of Ukrainian independence. At the time of the founding of the AUW, both deaths were still in recent memory and had struck a chord with the generation of Ukrainian women who had found themselves...
In February each year, the Association of Ukrainian Women in Great Britain (AUW) commemorate Ukrainian Heroines (Svyato Zhinky Heroyiny). February was chosen as this was the month in which Olha Basarab (died 1924) and Olena Teliha (died 1942) were killed because of their dissident activism in pursuit of Ukrainian independence. At the time of the founding of the AUW, both deaths were still in recent memory and had struck a chord with the generation of Ukrainian women who had found themselves displaced in Germany at the end of the Second World War. The commemoration of Ukrainian Heroines usually includes a church liturgy and requiem, and a performance known as an akademiya which comprises readings, poetry recitals, choral and dramatic performances.
Ravensbruck Concentration Camp was located at Furstenburg, 50 miles from Berlin. It was created by the Nazis in 1939 as a model concententration camp for female political prisoners. By the liberation of the camp in 1945, 132,000 women and children had been imprisoned in the camp. Women were imprisoned in Ravensbruck if they were deemed to be asocial or an enemy of the Nazis, so inmates included freedom fighters, anti-fascists, Soviet soldiers, lesbians, Jews, Jehovah's Witnesses, gypsies, those who broke Nazi laws. Around 20% of the inmates were Jewish. Each category of prisoner wore a coloured badge: red for political, purple for Jehovah’s Witnesses, black for asocial, green for criminal, and yellow for Jews (or yellow and red if political and Jewish). Inmates were treated as slave labourers and lived in horrific conditions in the camp. In 1988, Olena Wityk Wojtowycz published the second edition of her illustrated book documenting daily life in Ravensbruck entitled "Ravensbrück - The Largest Women's Concentration Camp in Germany" under the sponsorship of the Ukrainian Institute of Modern Art in Chicago. In common with other branches of CYM, Bradford has a four-tier membership structure: Sumeniata (youngest children), Yunatstvo (children and teenagers), Druzhynnyky (young adults) and Seniors (adults). CYM branches organise educational meetings for younger members which focus on Ukrainian history and culture and Bradford is one of the branches with strong tradition of performing arts groups such as choirs, folk dance groups and musical groups. In 1958 Petro Wasylyk set up a dance group and Wolodymyr Parfaniuk set up a string orchestra (first mandolins then guitars) which was directed by Jaroslaw Hawryliuk. In 1959, a drama group was established by W Bukowskyj and M Hryniszak. In 1960, chess and table tennis clubs were set up and a newsletter ‘Nash Druh’ was set up and edited by M Mykolyshyn. In 1962, a wood carving group was set up by V Rybczyn then Mr Panchak. Around 1962, Mrs E Jakowiw and Mrs M Salamacha set up an embroidery group. In 1963, the dance group was reorganised and renamed Krylati, choreographed by Ostap Buriak until his death in 1995. In 1996, an a cappella of bandurists was set up by Vera Tymczyzyn assisted by Halyna Zamulinska. CYM Bradford also plays an active part in community life and leads on several significant community occasions including providing the guard of honour for the plashchenycha (icon of Jesus Christ) in the Ukrainian Catholic Church at Easter, the commemoration of Battle of Kruty (29/30 January 1918), the Declaration of Ukrainian Independence 30 June 1941, and the feast of St Michael Archangel (8 or 21 November). It also manages to persuade St Nicholas to visit every year to give out gifts to children. |