Metadata
WORK ID: YFA 2918 (Master Record)
Title | Year | Date |
NEW HORIZONS | 1952 | 1952-01-01 |
Details
Original Format: 16mm Colour: Colour Sound: Silent Duration: 18 mins 22 secs Credits: The Halifax Cine Club Presents - New Horizons Credit cards follow - Photography CC Thomas, H Mallinson, Lighting H Rawlinson, Continuity C Horner, Titles H Oakes, Script and production by Eric Marshall Cast - The Boy - Derek Milligan, Patrol Leader - Michael Butler, and various troops of the Halifax Local Boy Scouts Association Subject: Education |
Summary This is a film produced by the Halifax Cine Club about a boy who, through his interactions with the Boy Scouts, finds his way and no longer takes part in the mischievous crimes of juvenile delinquency. |
Description
This is a film produced by the Halifax Cine Club about a boy who, through his interactions with the Boy Scouts, finds his way and no longer takes part in the mischievous crimes of juvenile delinquency.
The film opens with title cards - The Halifax Cine Club Presents - New Horizons
Credit cards follow - Photography CC Thomas, H Mallinson, Lighting H Rawlinson, Continuity C Horner, Titles H Oakes, Script and production by Eric Marshall
Cast - The Boy - Derek Milligan, Patrol Leader -...
This is a film produced by the Halifax Cine Club about a boy who, through his interactions with the Boy Scouts, finds his way and no longer takes part in the mischievous crimes of juvenile delinquency.
The film opens with title cards - The Halifax Cine Club Presents - New Horizons
Credit cards follow - Photography CC Thomas, H Mallinson, Lighting H Rawlinson, Continuity C Horner, Titles H Oakes, Script and production by Eric Marshall
Cast - The Boy - Derek Milligan, Patrol Leader - Michael Butler, and various troops of the Halifax Local Boy Scouts Association
Four mischievous looking boys climb over a large brick wall and proceed to exchange small tokens in a secretive manner. However, to their surprise, a policeman is nearby and sees the boys. He approaches and catches two of the boys while the other two are able to run away.
Later, at Juvenile Court, the policeman gives testimony in front of the Judge. The Judge then sentences the boys with a punishment of "No pictures for 6 months."
After being unable to enter the cinema, the boy walks slowly along a bridge and stops to ponder what to do. While he is on the bridge waiting, a group of Boy Scouts cross the bridge. The boy then goes to the municipal library where he scans through the books and finds one entitled ‘Scouting for Boys.’ He opens the book and begins to imagine about what he is reading. Boy Scouts appear and partake in various scouting activities including hiking, map reading, boating, canoeing, rope tying, camping, group prayer, cooking and physical exercise.
The next day when the boy goes to school, he asks a friend of his if he can join the scouts as well. Then, that evening, the friend whistles up to the boy’s window and they proceed to go to the scouting meeting. It is at this meeting where the boy learns the basics of scouting.
After some training, the boy earns his uniform and the privilege to take the Boy Scout Oath: I promise on my honour To do my best To do my duty to God And the King To help other people at all times And to obey the scout law. After the induction into the scouts, the boy hikes up the hill with his fellow scouts, and once at the top, the film closes with an end title.
Context
The inspiration for New Horizons came from a member of the Halifax Cine Club, Eric Marshall, who was a local Scout leader. The idea was clearly to promote the Scouts, especially as a force for good for young people. To make the film Eric involved other members of the Cine Club, and his own Scout group. Eric later emigrated to Australia, losing contact with members of the Cine Club. The Halifax Cine Club had been making 16 mm films from as far back as 1929. Their films were usually...
The inspiration for New Horizons came from a member of the Halifax Cine Club, Eric Marshall, who was a local Scout leader. The idea was clearly to promote the Scouts, especially as a force for good for young people. To make the film Eric involved other members of the Cine Club, and his own Scout group. Eric later emigrated to Australia, losing contact with members of the Cine Club. The Halifax Cine Club had been making 16 mm films from as far back as 1929. Their films were usually collaborative efforts, often to a commission, as in this case. All those involved in the production of this film are listed in the credits. The YFA has a large collection of their films through to the late 1980s, with some others also on YFA Online, such as The Pace Egg (1961).
The high quality of the filmmaking shows how dedicated the so-called ‘amateur’ filmmakers were. The scene in the Juvenile Court room – with the stern judge castigating the boys lined up before him – looks as if it could have been influenced by the film techniques of expressionism. The interpolation between the book the boy is reading and his imagined scenes are also skilfully done. The whole package, together with the high quality acting, gives the film a very professional feel. The film strongly reflects the moral purpose of the Scouting movement, and also its belief that it provides a direction in life otherwise lacking for the young. The film has a certain naivety: it would be easy to imagine young people mocking the film even in 1952, let alone in the more cynical and streetwise youth culture of today. In fact many young people today may not even know what scrumping is: stealing apples from people’s gardens, a common pastime that has largely gone out of fashion. The same might also be said of some of the activities the Scouts organise in the film. Yet undoubtedly the activities of camping, making fires or learning how to make knots, like the bowline shown in the film, retain a strong appeal for many; and there is a strong claim that the Scouts do help to promote the values of self-respect and respect for others. Much has remained the same within the Scouts, although the uniform no longer includes the Scout hat, with its flat brim, strap round crown and chin strap, seen in the film. The Scouting movement was set up in 1907 by Baden-Powell, but the history of the Scouts is a convoluted one. Baden-Powell met with various influential people in youth movements across the country, and was persuaded to write a version of his earlier Aids to Scouting, specifically aimed at teenage boys. This was Scouting for Boys, published in 1908, which became the fourth all-time best selling book behind the Bible, the Koran and Mao-Tse-Tung's Little Red Book. Baden-Powell, at that time a Lieutenant-General, had become something of a national hero after his exploits in the Boer War defending the railway town of Mafeking (or Mafikeng). Other similar organisations, like the Boys’ Brigade and the Boys’ Clubs, already existed; but many boys outside of these bought Scouting for Boys and so it was felt that there was a place for a new group. This deliberately called itself a movement rather than an organisation because it was to be ‘always on the move’. Later came the Girl Guides (not Scouts as it wasn’t seen right to have girls canoeing, hiking and such like), and the Cubs in 1917 – inspired by the Jungle Books of Baden-Powell’s close friend Rudyard Kipling. The Scouts had an ambivalent set of aims. On the one hand they were conceived of as a training ground for the army, and promoted by those wanting national conscription. The aims of doing ones duty for God, of being a good citizen and of being self-reliant were seen as consistent with this. But on the other hand Baden-Powell borrowed much from the American naturalist Ernest Thompson Seton, one of the founders of the Woodcraft Indians. This gave the movement a strong naturalistic flavour, and as being something that was enjoyable as well as personally uplifting. Indeed, some groups – British Boy Scouts and the British Woodcraft Folk – broke from the core of the Scouts because they objected to some of the military overtones. In his 2009 TV programme for BBC4, Ian Hislop’s Scouting for Boys, Hislop notes that in his book Baden-Powell raises issues that are very alive today: disaffected youth, citizenship and social responsibility. He also opines that if someone like Baden-Powell tried to set up a similar youth movement today it would probably get a very different response. The emphasis in modern Scouting is educational, in the widest sense: in the words of Scouting: An educational system, the aim is, ‘to help young people to develop their full physical, intellectual, emotional, social and spiritual capacities as individuals and as members of society, and thus contribute to the development of a better world.’ Although the Scout Promise is, ‘To do my duty to God and to the Queen’, the Scout Law is non-prescriptive, with the idea of God open to all religions, and humanitarian in its values. With a more modern appeal – the military connotations are now toned down – and with a membership of 28 million in 216 countries and territories, the Scouts remain the foremost youth movement in the world. References For information on scouting principles see, Scouting: An educational system, World Scout Bureau, Geneva, 1998. For information on the modern Scout movement On Ernest Thompson Seton and Woodcraft |