Metadata
WORK ID: YFA 1980 (Master Record)
Title | Year | Date |
FAMILY SNAPSHOTS | 1937-1941 | 1937-01-01 |
Details
Original Format: 16mm Colour: Colour Sound: Silent Duration: 19 mins 12 secs Subject: Wartime Family Life |
Summary This film is part of a collection from the Ward family from Malton and spans the years 1936-1942. The films illustrate many aspects of their family life and social activities as well as showing evacuated children spending time in their home in Malton. The film shows the activities of the Ward's family between 1937 and 1941. |
Description
This film is part of a collection from the Ward family from Malton and spans the years 1936-1942. The films illustrate many aspects of their family life and social activities as well as showing evacuated children spending time in their home in Malton. The film shows the activities of the Ward's family between 1937 and 1941.
Title-Family Snapshots.
Title-The Coronation at Rosewood May 1937.
The film opens with shots of the decorations put up on Rosewood House to celebrate the...
This film is part of a collection from the Ward family from Malton and spans the years 1936-1942. The films illustrate many aspects of their family life and social activities as well as showing evacuated children spending time in their home in Malton. The film shows the activities of the Ward's family between 1937 and 1941.
Title-Family Snapshots.
Title-The Coronation at Rosewood May 1937.
The film opens with shots of the decorations put up on Rosewood House to celebrate the coronation. There is a brief shot of the car parked outside of the house.
Title-Wendy, Heather, David.
The children are in the garden marching around with a drum, a flag and David playing a little trumpet. They walk around the deck chairs up and down the garden and back and forth past the camera.
Title-Heather just learnt to ride.
Title-Heather cycles her bicycle around the garden smiling at the camera.
Title-After Church.
Wendy, Heather and David are wearing their best clothes and are standing on the steps in the garden. One by one they hop down the steps and then smile at the camera. The scene closes with close-ups of all three children.
Title-A picnic above Carlton.
The three children sit on blankets with a woman who is most likely their mother. They are lying out on the covers, eating and smiling. David is drinking from a beaker and in the following shot the girls tickle David.
There is another scene with David standing beside a stream and throwing rocks and sticks into it. Then the girls do it too.
Title-Martinmas fair at Malton.
The children sit on a merry-go-round with cars and planes. There are several shots taken from different distances away from it.
Title-An Evening at Rosewood.
The girls sit on a chair petting their Border Terrier. Then the shot changes and Wendy is seated at the piano playing and singing. This is followed by shots of Mr and Mrs Folliott-Ward sitting in armchairs and petting the dogs. The children play with the dogs on indoor swings, with a spinning top and with a skipping rope.
In the final shots of this scene Wendy and Heather have a bath and smile up at the camera.
Title-Bed time.
David throws a ball around his cot and laughs and smiles at the camera. The he holds his teddy up for the camera and smiles. In the next shot Wendy is sitting in bed, tucking her teddy bears in beside her and then lies down. Heather is in her cot and does the same.
Title-The Golden Wedding 30 August 1937.
Title-At the Buck Hotel Thornton Dale.
Title-The bride and bridegroom.
Shot of an older man in a suit and a woman in a dress, jewellery and holding a bunch of flowers. They are talking to people off camera.
Title-Uncle Humphrey, Aunt Ada, Aunt Phoebe.
The camera pans around the room to show these older people standing and smiling at each other and at the camera. Then there are shots of the children coming into the room and more people walk past the camera and smile.
Title-John, Judy, Dick, Wendy, Tony & Margaret.
There are shots of the children standing and sitting for the camera. The girls wear dresses and the boys wear black tie suits. They all joke and smile at each other and for the camera.
Title-Wendy and Heather in London March 1938.
Title-Their first visit the Tower.
Wendy and Reynolds sit on a bench outside on the street; a crow sits on a bench beside them.
Title-Outside St Paul's.
The two girls feed pigeons.
Title-Wendy on Peggy.
Wendy rides pony along a grassy lane with fences on either side.
Title-`Wendy' a birthday present to Wendy 20 May 1938.
Wendy stands beside a large pony she holds onto the reigns and smiles at the camera. A horse trainer and a woman who is most likely her mother stand behind her.
Title-Wendy, Heather and David at Filey June 1938.
The children are on the beach digging a big mound of sand with a woman who is most likely their mother. Wendy throws sand at Heather who is standing on the top of the mound.
Heather sits in the sand playing with a bucket and then there are shots of Heather and Wendy paddling in the sea. There is a shot of the three children standing on their mound of sand. When the sea starts coming in around their mound, the children run around in the water and stand on top of it again.
Title-Heather and David on Peggy Oct 1938.
David climbs up onto the pony and slides back off again. Following this is a shot of Heather, who is fully kitted out, riding out of the gate and up the road.
Title-At Rosewood Christmas Day 1938.
Title-David.
David plays with his toys and looks up at the camera and smiles.
Title-Heather.
She sits looking through a book and looks up at the camera. She is wearing a hat and has costume jewellery around her neck and wrists. Then the shot cuts to her opening a tin of sweets and David plays with a wind-up monkey.
Title-Wendy.
She sits opening a present and pulls out what look like socks; she smiles at the camera. Then there is a shot of her reading through a book. She is also wearing a hat and costume jewellery.
There is a final shot of three of them sitting down and looking at their gifts.
Title-Wendy's Birthday party 20 May 1939.
A group of girls are out in the garden holding hands and running in and out of a circle. They are all wearing.
Title-Michael Heads Ball.
The children play around in the garden.
Title-Humphrey and `the D'Arcy Wards'.
In the garden at Rosewood House, a gathering of family members is taking place.
Title-David with Puppies and Carrots! June 1939.
David sits outside on a grass tennis court with his arms around two Golden Retriever puppies.
Title-Wendy Jan 1940.
She plays the piano and smiles at the camera. Then she stands posing for the camera in a dress and holding a clutch bag. Heather also poses for the camera as she opens her bag.
Title-Heather Jan 1940.
She sits on armchair and poses.
Title-Pat Burns and Family May 1940.
This shot is taken from a height looking down onto the garden. A wooden table has been laid and children sit around it looking up at the camera.
Title-Garden Sports Rosewood July 1940.
Title-Paddy Latham
A girl takes a run and jump at a high jump that has been erected in the garden at Rosewood House.
Title-Vera Horn.
There are shots of several girls who all easily jump over the high jump
Title-Margaret Stockton.
Another girl jumps over the pole. Following this the girls all do leap frog over each other. The children's mother also takes part in the game.
Title-David in Command.
He plays a game with the girls where he stands in front of rows of them and they move their arms and legs.
Title-Family and Evacuees at Castle Howard August 1940.
A group of children and a woman, who is most likely the children's mother, are sitting on the edge of a lake. Some of the children are swimming and some of them are just paddling.
Title-Wendy just learnt to swim.
She does the breast stroke across the pond.
Title-Wendy about to leave for first term at Queen Margaret's School Castle Howard 20 Sept 1940.
Wendy stands in her new uniform smiling at the camera. She walks towards the camera and poses.
Title-QMS Temporary Guests, Brenda Walker, Jean Brentnall, Pamela Denny.
The three girls wear same uniform as Wendy. They walk towards camera holding David's hand.
Title-Ellerbeck August 1941.
Wendy and Heather sit in a stream beside a little waterfall. One of the girls has a rubber ring around her waist and the other girl splashes her legs about in the water.
Context
Family Snapshots is part of a larger collection of 11 home movies all made during the late 1930s and early 1940s. The collection was filmed by local solicitor and father, Mr Folliot-Ward, and his films mainly focus on family life in and around Malton. They were donated by Mr.Folliot Ward’s daughter, Heather Reynolds, in 2003. Heather is the focus of a lot of parts of this film; we see her enjoying riding around the garden after just learning to ride her bike. This sort of intimate family...
Family Snapshots is part of a larger collection of 11 home movies all made during the late 1930s and early 1940s. The collection was filmed by local solicitor and father, Mr Folliot-Ward, and his films mainly focus on family life in and around Malton. They were donated by Mr.Folliot Ward’s daughter, Heather Reynolds, in 2003. Heather is the focus of a lot of parts of this film; we see her enjoying riding around the garden after just learning to ride her bike. This sort of intimate family moment was often captured my amateur filmmakers, and this film offers a unique insight into family life in Yorkshire during the late 1930s and early 1940s.
The standardisation of 16mm film in 1923 opened up the world of filmmaking for the first time to non-professionals. Eastman Kodak first developed this film format and pioneered accessible and affordable film technology during the early 20th century. Kodak had vastly improved the safety of its products too, with new-fire resistant rolls of film meaning that amateur filmmakers could enjoy a cigarette whilst projecting their home movies without fear of causing an inferno. By the mid-1930s, a German observer estimated that the British amateur cine scene had around 250,000 hobby filmmakers and about 3000 to 4000 of those people was a member of an amateur cine club. The home movie craze had taken hold of Britain. During the Second World War, amateur filmmakers began to record daily life after specialist hobby press began urging readers to document the daily struggles that people would be experiencing during wartime. Films that showed how civilians prepared for the threat of bombardment or invasion and that showed the effort on the Home Front were encouraged. Scenes of family life, like this film, offer visual testimonies to clothing styles and technology of the time, as well as relationships within the family and how certain roles would be fulfilled with the older males being usually absent. Amateur footage of families in this period would usually include significant events within the family, such as a child’s first steps or a birthday/wedding/christening etc. Films such as Folliot-Wards are testimony to the British public’s desire to carry on with their lives as normally as they could under the circumstances. Wartime home films offer an intimate snapshot of family life, as they would often be made with the idea that they would become surrogate memories for those who were away at war and unable to participate in family events. Home films of this period show us a unique narrative of the war. They offer historical evidence from the point of view of someone who is living at the time of these historical events and therefore offers a more accurate portrayal of life during World War 2 in Britain. These films also narrate a family’s private history; it would record a moment in time and would provide the family with nostalgia for generations to come. We follow the Ward family through significant and intimate family moments over the span of many different films which showcases the stoical attitude of wartime Brits. The Ward collection of films exemplifies the “stiff upper lip” attitude that became synonymous with British civilians during wartime. Malton, where the Ward family lived, played a significant role in the war, too. In 1942, the government bought land on the outskirts of Malton and turned it into a prisoner of war camp, to house German and Italian POWs captured in Africa and Europe. In 1944, the site was used to accommodate Polish forces in preparation for an invasion of Europe. Today, it is open to the public as an excellent World War Two theme museum – Eden Camp – and is set out to look like it would of done during the war, with different themed ‘huts’ showcasing different aspects of the war and its effect on British life. In the film, we see the Wards and some evacuees the family had taken in enjoying a day out together at Castle Howard, a stately home and gardens in North Yorkshire that has been a popular tourist destination for decades. During the blitz, many children living in big cities such as London, Bristol and Manchester were evacuated to safer, rural areas like Malton. The German invasion of Poland on the 1st September, 1939 triggered the first wave of evacuation in Britain, as the threat of German attack from the air became all too real. Throughout the war, millions of children from threatened areas where evacuated, and each child’s experience varied massively. It seems like the children staying with the Folliot-Wards had a more pleasant experience of evacuation, and are treated as part of the family. Evacuees are seen in several of Folliot-Ward’s films. The period in which this film takes place is during the economic recession that followed the Wall Street Crash of 1929. A speculative craze swept the stock market of America during the 1920s which eventually led to the collapse of the markets and a worldwide economic slump resulted. Because of this, heavy unemployment affected Britain during these interwar years, and lack of American investment and trade further worsened the British economy. Despite this, some families enjoyed a degree of affluence and a rising standard of living during the 1930s. The average salaried person could, for the first time, buy their own house (usually on a mortgage), run a car, and afford luxury consumables thanks to the drop in prices. A typical semi-detached house could be purchased for as little as £450 – approximately twice the annual salary for the average working professional. Electricity was now available in most homes, and the cost of electrical appliances fell too. Life for people during the 1930s varied completely, depending on their social standing or income. The 1930s was a decade of contrasts, with mass unemployment and hunger marches a common sight in some parts of Britain, and the rise of the affluent middle-class like the Folliot-Wards more visible in other areas. References: Nicholson, Heather Norris “Cinemas of Catastrophe and Continuity: Mapping out twentieth-century Amateur Practices of Intentional History-Making in Northern England” in Amateur Filmmaking: The Home Movie, The Archive, The Web Wilma de Jong, Erik Knudsen and Jerry Rothwell, Creative Documentary: Theory and Practice Fielding, Raymond, A technological History of Motion Pictures and Television Rieger, Bernhard Technology and the Culture of Modernity in Britain and Germany, 1890, 1945 Stevenson, John and Cook, Chris, the Slump: Britain in the Great Depression Jackson, Steven, Britain’s Population: Demographic Issues in Contemporary Society Further Reading: Stories from Yorkshire folk who lived through WWII: http://www.bbc.co.uk/history/ww2peopleswar/categories/c1145/index_2.shtml Biography of an Evacuee who was sent from Hull to Malton: Edwards, Dr Raymond To Hull and Back http://www.iwm.org.uk/history/the-evacuated-children-of-the-second-world-war |