Metadata
WORK ID: NEFA 22019 (Master Record)
Title | Year | Date |
TOWN MOOR | 1934 | 1934-01-01 |
Details
Original Format: 9.5mm Colour: Black & White Sound: Silent Duration: 10 mins 12 secs Credits: Organisation: Newcastle & District Amateur Cinematographers Association S.J. Rosslyn Smith Genre: Amateur Subject: Sport |
Summary Amateur documentary footage of the annual Hoppings travelling fair on the Town Moor, Newcastle upon Tyne, and the 1934 Northumberland Plate race meeting at Newcastle Racecourse, High Gosforth Park, probably filmed by Mr S.J. Rosslyn Smith, who later became chairman of Newcastle and District Amateur Cinematographers Association (ACA). |
Description
Amateur documentary footage of the annual Hoppings travelling fair on the Town Moor, Newcastle upon Tyne, and the 1934 Northumberland Plate race meeting at Newcastle Racecourse, High Gosforth Park, probably filmed by Mr S.J. Rosslyn Smith, who later became chairman of Newcastle and District Amateur Cinematographers Association (ACA).
Title: Town Moor
This sequence of the Hoppings travelling fair at the Town Moor, Newcastle, opens with shots of the steam powered swing boats and a carousel....
Amateur documentary footage of the annual Hoppings travelling fair on the Town Moor, Newcastle upon Tyne, and the 1934 Northumberland Plate race meeting at Newcastle Racecourse, High Gosforth Park, probably filmed by Mr S.J. Rosslyn Smith, who later became chairman of Newcastle and District Amateur Cinematographers Association (ACA).
Title: Town Moor
This sequence of the Hoppings travelling fair at the Town Moor, Newcastle, opens with shots of the steam powered swing boats and a carousel. Fairgoers enjoy a ride in the Chair O’ Plane ride (or Wave Swinger), silhouetted against the sky, and on the steam powered Caterpillar, smoke belching out of the chimney. Close-up of golliwog toys displayed on a stall. Portrait shot of a showman with an elephant. Close-up of people enjoying a fast roundabout ride. A little boy buys a ticket from an African man seated on the grass. A little girl slides down the helter-skelter on a coconut mat. A muscular, bare-chested boxer stands between two younger boxers at a boxing booth ('Troupe of Star.. ' visible sign on booth marquee) and peddles the fight with his patter to attract the audience. General view of the Chair O’ Plane in action. Next, whirling footage shot from the Chair O’ Plane. General view of a steam-driven ride. A little girl walks towards camera carrying a show doll, people buying from the stall in the background. Two chauffeurs (taxi drivers?) pose cheekily in front of a row of parked cars.
Title: 1934 Gosforth Park [over shot of racecourse and stands] By S.J.R.S.
Title: Plate Day
At Newcastle Racecourse, High Gosforth Park, for the Northumberland Plate race meeting (popularly known as the Pitmen’s Derby), two well-groomed young women in 30s pencil skirt suits and cloche hats lounge in the grass, smiling when they realise they are being filmed. The race took place on the 2nd July.
In the build-up to the race, men and women mill around the betting booths. Bookmakers yell out the odds on a very busy day at the races. A bookie’s placard advertises odds on the horses, including Sussex Solvent. Other bookmakers in the ring behind the grandstands include George Taylor’s. A tipster in a top hat is selling bets. He doffs his hat to camera. A bookmaker’s assistant holds a placard for Mr H. Webb Gave, announcing yesterday’s race winners, including Solvent and Clasper. More bookies shout their odds.
More scenes of punters before the race follow. A woman in a leather, belted jacket walks forward talking to the cameraman. Men and women lounge on the grass, some with picnics. A young ice cream seller operates from a mobile cart, a little boy hovering beside him. Group portrait of friends at the races, some smoking.
A man in a trilby walks out from a marquee bar. A crowd of men in flat caps (and one small boy hanging around at the back) are huddled in a ring around a 3-card sharp.
A man dressed in a tweed jacket and waistcoat is checking a Sunday Sport newspaper. Headlines read: “Simonside Pleases in Good Gallop”, “Head Lad’s Confidence in Peacock’s Charge” and “Large Crowd Watches ‘Plate’ Candidates at Work”. The man gives a quick grin to camera. Two women lounge on the grass, one dangling a cigarette from the corner of her mouth, requesting something from a male friend. Men and women queue to place bets at the racecourse booths.
The jockeys and horses gallop onto the course for a pre-race warm-up. As competitors race up the track, tic-tac men are at work in the stands. A bookie sits next to his pitch for Iresons, taking last minute bets from two women.
The horses canter back up the track to the starter line. They gather at the start.
Title: They’re off!
The tape goes up and the race begins, the horses galloping past camera. Various shots show the race in progress. Two elegantly-dressed women wander across the grass towards the track, smiling widely at the camera. The horses round a bend on the course, White Plains ridden by Eric Smith in the lead. [White Plains was the eventual winner with Lament in second place.] A group of men and women in hats are gathered watching the race beside the race track. Low angle action shot of horses racing by camera to the finish.
A man walks past camera smiling. Women sit on the grass together smoking. Crowds are walking swiftly to the exit. Shot of the almost empty stands, a million pieces of litter blowing across the racecourse.
Outside the Newcastle Racecourse, Gosforth Park, large crowds have gathered, waiting for transport home. A double decker bus drives past. Thousands are milling around at the racecourse entrance. A travelling shot from the top deck of a bus ends this sequence.
Footage of the Newcastle Town Moor Hoppings follows. A young girl hangs around with her mother beside a ride. A man slides down the helter-skelter with his little girl, both enjoying the ride. Little children are riding a juvenile galloper. More people spin around on the Caterpillar ride.
A young Mademoiselle Yvonne show woman stands at her booth, dressed in a striped dungaree combo. She begins her patter to the crowd. At another show booth a man in a flat cap and white coat is holding a dog, waving a flag, and luring in the crowd with his banter. Men and boys are going into the show. Sedgewicks, a travelling menagerie, advertising “King of Wild Animal Trainers Lorenzo performs here”. Another show is advertising “Billy, The World’s Biggest Pig.” At another show, a black show-woman dressed in an animal skin with a feather fringe and carrying a feather fan smiles broadly from the stage. She is standing hand-in-hand with a performer in a cowboy outfit.
General view of the Hopping’s main avenue between rides. A carousel ride is in action. A man beckons from the ride encouraging customers. A steam ride chimney belches out smoke. Another booth has a sign that reads: “Cannot be Beaton [sic]”. A couple grin broadly as they take a ride on an animal galloper. An early version of the Waltzers swings around with its share of spectators. A child slides down the helter-skelter. A huge swing-boat ride is in motion. The Mont-Blanc ride swirls around with its twisting cars. A couple get off after their ride. A sign advertises a ride for children at 1d. People pay for a go at another attraction – the high striker. A man theatrically takes off his jacket before taking his turn with the mallet.
At Sedgwick’s American Menagerie, a show man and woman are on the stage trying to bring in the punters. A monkey tied to the stage is teased with a coconut. A sultry young show-woman is seated on the edge of a stage (probably the ‘wall of death’ performer). A sign advertises “Looping the Loop with sidecar”. A male performer in make-up and checked trousers (a clown?) stands at the entrance to a circus show. General view of a large crowd in front of the pavilion for Pinder’s Circus.
A little girl runs between adults at the fair. At a sideshow, there’s a wall of clocks with their hands spinning backwards wildly. A man has a go at a coconut shy whilst smoking a cigarette.
General views follow of the Hoppings fair in action. Two policemen walk jauntily down the Hopping’s avenue of shows towards camera.
Title: The End
Context
This documentary footage is attributed to a Mr S.J. Rosslyn Smith, which is amongst the earliest archive film we have of the famous Hoppings fair and of the fashionable 30s crowd at Gosforth Park who join local miners to take a punt on the horses at the popular Northumberland Plate. Also known as the Pitmen's Derby, the event took place during “Race Week”, a holiday for miners until 1949. By 1952 it became a Saturday race. The filmmaker is amongst cast or crew of several Newcastle &...
This documentary footage is attributed to a Mr S.J. Rosslyn Smith, which is amongst the earliest archive film we have of the famous Hoppings fair and of the fashionable 30s crowd at Gosforth Park who join local miners to take a punt on the horses at the popular Northumberland Plate. Also known as the Pitmen's Derby, the event took place during “Race Week”, a holiday for miners until 1949. By 1952 it became a Saturday race. The filmmaker is amongst cast or crew of several Newcastle & District Amateur Cinematographers Association (ACA) productions of the 1930s. He produced and directed the strange low-budget comedy thriller It Happened Thus and a home movie travelogue filmed around Cornwall is also held in the cine club's collection at NEFA.
There’s no business like show business, as I think the Showmen’s Guild of Great Britain would agree after more than 125 years in operation. Captured by gifted amateur filmmakers, Newcastle unwinds at the Hoppings in this 1950s documentary, which gives a real feel for the exuberant atmosphere as excited crowds get their thrills on wonderful rides the showmen bring to town. In the words of Henry Morley, writing in the 1850s, travelling fairs are “the unwritten story of the history of the people”. Newcastle’s Town Moor has, for most of the last 130 plus years, played host to the famous Tyneside travelling fair. The June fair dates back to 1882 when the North of England Temperance Festival was introduced as an alcohol-free counter-attraction to the Race Week. The ‘Hoppings’ name stuck in the 1950s and is thought to derive from the Middle English word “hopping” meaning dance. In the 1930s daily visitors totalled 150,000 on days when the weather was good. In the early years the huge and gaudily painted fairground rides were steam-driven, but took some muscle to move. The elaborate Gallopers and Switchback rides first designed and constructed in 1888, along with their later electrified counterparts, the Scenic Railway, were a highpoint of early fairground imagination, engineering and aesthetics, with carved and decorated cars ranging from dragons to Venetian gondolas and rodeos. Pioneering showman families such as the Farrars, Lings, and the Murphys from South Shields returned to the Hoppings year after year with ever wilder and ingenious constructions. Speed was the essence of new rides from the 1930s, with the new fast thrill ride The Moonrocket, built by the R.J. Lakin Company along with Scottish manufacturer George Maxwell, one of the best at the fair, and run by the Shaw family. Later, North East showman William Noble made a travelling debut with a modern imported Dutch Rotor in 1951, a spinning wall that pinned helpless riders to the wall through centripetal acceleration, as the floor dropped away. It was originally built with paying viewing galleries that exploited the ride’s titillating exposure of women’s underwear! The 1950s decorated rides revelled in the rock n’ roll influence with Uncle Aquilla Toogood’s new and wildly spinning Waltzer sporting Bill Haley and the Comets designs. But it’s not all swings and roundabouts! The traditional sideshows and attractions were just as popular at the Hoppings, with showmen and women pedalling oddities, the daredevil and the downright risqué. The flea circus continued until the flea population dwindled due to use of insecticides after World War II. Boxing booths drew the crowds as in this film, but its not clear who ran this particular one. One of the most well-known, Ron Taylor’s Boxing Emporium first visited the Hoppings in 1951, and for the last time in 1995. He had in 1977 hosted the greatest champion of all, Mohammed Ali, exhibiting his boxing skills that year for charity. Tommy Pinder and his brother are present in 1934 with what would become one of the oldest circus families on the road. For his book Circus Mania (2017), Douglas McPherson interviewed retired ringmaster George Pinder who described how his family circus was one of the first to introduce motorised transport to the travelling big top. “Between the two world wars, we had motor lorries, but we still used horses as well. I remember saying to my dad, ‘Them first lorries you had, how fast did they go?’ Oh, about 12mph or 15mph. ‘So how far behind were the horses when they came in behind the lorries?’ Oh, 15 or 20 minutes. ‘So what did you bother with the lorries for?’ ‘Because you didn’t have to get up at five o’clock in the morning and catch them!’ In the 1960s and 70s stalls still boasted living novelty acts such as sheep with four horns, the Giant Bee, striptease knife throwing, the Wolf Man, George the Gentle Giant and Peggy the High Diver, whilst booths eight feet square offering Vampyre’s Daughter, The Living Half Woman, Fanny by Lamplight and Midnight Madness also lured in the voyeur. The fairground was always alive with “monsters” and “exotic” animals and magicians, and arguably gave birth to most forms of popular entertainment. Let’s not forget that fairgrounds were amongst the first venues to show moving pictures to local audiences in cinematograph booths back in the late 1800s. In December 1896, Randall Williams introduced the cinematograph at travelling fairs which became a major venue for 'living pictures' in the period up to 1914. The famous bioscope proprietor Mamie Paine was a regular at the Hoppings, and in 1907 showman William Murphy of Sunderland presented the largest bioscope show ever seen in Newcastle. Sedgewick's American Menagerie are attending this 30s Hoppings, a travelling collection of exotic animals with “King of Wild Animal Trainers Lorenzo” performing. In Victorian times, the Sedgwick Bioscopic Showfront was another pioneer of early cinematic entertainment. The British weekly illustrated newspaper The Graphic was reporting in its column 'The Turf' on 3 July 1886 that the Northumberland Plate was falling in favour year by year, despite an injection of cash. It was once 'the most popular race in the North'. The Plate and the St Leger were in the 1930s still the two big races of the North, the Plate a £1,500 event in 1935. The Plate Day was first established on the Town Moor in 1833 and transferred to its present venue at Newcastle's Gosforth Park in 1882. The classes are mingling to celebrate flat racing in style here, amongst them a relaxed group of women involved in the Newcastle ACA, including Janet Cameron, the daughter of one of the original founders of the cine club. They are all sporting the still fashionable bell-shaped cloche hats in straw and felt, worn by movie stars such as Joan Crawford and Clara Bow in the 1920s, although, by the time this film was shot, the fashion was on its way out. Research: http://circusmania.blogspot.com/2013/05/two-hundred-years-in-circus.html https://www.sheffield.ac.uk/nfca/researchandarticles/boxingbooth https://www.sheffield.ac.uk/nfca/researchandarticles/fairgroundrides https://www.sheffield.ac.uk/nfca/researchandarticles/fairgroundshow |