Metadata
WORK ID: NEFA 21358 (Master Record)
Title | Year | Date |
SOUND .... AND EFFECT | 1967 | 1967-01-01 |
Details
Original Format: 16mm Colour: Black & White Sound: Sound Duration: 21 mins 22 secs Credits: Organisation: Newcastle & District Amateur Cinematographers' Association Camera, Sound, Lighting: Reg. ('Harvey') Townsend. Assisted by David ('Bill') Watson Director, editor: George Cummin Cast: Walter Clark & Sylvia Harding as Mr & Mrs Newley Cast & crew: Vivienne Atherton, Norah Cummin, Irene Watson, Ian Davidson, Gordon Dunn, Peter Keys, Richard Steel and 'King' Genre: Comedy Subject: Urban Life |
Summary This comedy chronicles the misadventures of an amateur tape recordist who undertakes to provide sound effects for a local drama group's production starring his wife. This was a Newcastle & District Amateur Cinematographers Association (ACA) production, directed by former dance band musician, George Cummin. |
Description
This comedy chronicles the misadventures of an amateur tape recordist who undertakes to provide sound effects for a local drama group's production starring his wife. This was a Newcastle & District Amateur Cinematographers Association (ACA) production, directed by former dance band musician, George Cummin.
Credit: Newcastle & District ACA Presents [credits and titles over first shots]
Title: Sound ... And Effect
A battery operated Loewe Opta tape recorder is lifted out of a...
This comedy chronicles the misadventures of an amateur tape recordist who undertakes to provide sound effects for a local drama group's production starring his wife. This was a Newcastle & District Amateur Cinematographers Association (ACA) production, directed by former dance band musician, George Cummin.
Credit: Newcastle & District ACA Presents [credits and titles over first shots]
Title: Sound ... And Effect
A battery operated Loewe Opta tape recorder is lifted out of a record shop window display.
Credit: With Walter Clark & Sylvia Harding as Mr & Mrs Newley
A couple walk out of the record shop, the man carrying his new purchase, a tape recorder, and head back home.
Credits: Also involved – both before and behind the camera – Vivienne Atherton, Norah Cummin, Irene Watson, Ian Davidson, Gordon Dunn, Peter Keys, Richard Steel and ‘King’
Credits: Camera, Sound, Lighting: Reg. (‘Harvey’) Townsend. Assisted by David (‘Bill’) Watson
Credits: Their activities were directed and the results edited by George Cummin who thanks all those who provided premises, personal possessions and patience in the cause of amateur cine
Back at home, Mr Newley (Walter) plays an instruction reel and reads through his manual. His wife (Sylvia) gets ready to leave for a drama rehearsal and asks her husband if he’s coming along. He grumbles about never getting a part in the productions, only odd jobs, and that he may pop along later. She counters by saying the producer said he’d be excellent for a role in the upcoming Russian play. He says that he looked up the role and it’s the main character in a novel called ‘The Idiot’. She leaves and he continues to play with his new tape recorder.
The next sequence opens with a still of a poster advertising the Bayswater Drama Group’s new production of “Strange Ending”. Rehearsals take place for the drama, probably at the premises at Ship Entry, Newcastle. The producer checks his script for sound effects needed in the production. Walter volunteers. He talks up his experience. His wife gives him a dirty look. The producer and Walter discuss the effects needed, including a version of God Save the Queen on piano, a passenger train, a dog barking and bird song. Walter takes the script and heads off with his wife.
Walter sets up his recording equipment at home next to the upright piano. He shouts his wife that he’s about to start recording and to stay out of the room. He begins to record and play the national anthem on his piano, but his wife comes in to ask what he had shouted. He responds sarcastically and she storms off. As he continues to try and record, there are more frustrating interruptions: a cuckoo clock sounds, the doorbell rings and he has to deal with a travelling salesman of sorts in a bowler hat. Sound effects mask his rude answer! His wife, meanwhile, puts a chair outside in the open doorway and takes up a position there to deter further intrusions. A delivery man at the back of the house rings the bell, but it has been stuffed with a rag to stop the sound. Walter finally finishes playing the national anthem, only to discover the tape recorder has come unplugged.
Walter roles up in his car at a railway crossing. He sets up his microphone to record a passing train, but an odd character walks up and disturbs him mid-recording. It’s another two hours to the time for the next train. Two hours later, he begins to record the train, but it’s a goods train, not what is needed by the producer. He gets back into his car but falls asleep and misses recording the next scheduled passenger train. Having woken up, he stares after the vanishing train, defeated.
Next, Walter attempts to record a neighbour’s dog barking in his garden. Despite encouragement, the dog remains silent. Walter makes barking noises but does not succeed in getting one sound from the dog. His exasperated wife unplugs the tape recorder and puts an end to the session.
Walter then records bird song at a local wood. He plays it back to check. Giving the thumbs up to the song bird in the tree, the bird shits in his eye. He heads off but doesn’t notice that he has dropped the tape reel in the grass.
Back in his living room (and accompanied by dramatic music), Walter checks the script for the required sound effects. Only ‘God Save Our Queen’ has been marked as successfully recorded. He has an idea and returns to the record shop to buy a Sound Effects sampler.
He records all the required sounds from the vinyl record.
He returns to the producer who explains they’ll only now require the dog barking and the national anthem. Walter heads off to see Charlie, who is fixing the electrics behind the stage, and sets up the tape recorder.
It’s the opening night of the play. Behind the scenes, next to a sign requesting “No Smoking on stage’, Joe, who is looking after the theatre curtains, sits smoking a cigarette. Walter walks in and greets him. The producer arrives and asks Walter to stand in for an actor with the flu. Walter heads off to get his lines. The producer says the group are almost ready for curtain-up. Joe bangs on the floor as a signal to Charlie to get ready. Joe checks his curtain cues and calls. The actors prepare in the dressing room, Walter checks his lines and realises he can’t cue the sound effects and appear on stage at the same time. The other actor is called to the stage.
Down below the stage, Charlie is wafting his hat at the electrics to prevent over-heating. Walter asks Charlie to cue the dog barking sound effects whilst he’s on stage. Charlie agrees.
Walter is called to the stage where his wife is acting in the drama. The dog bark sound effect is cued correctly. But the national anthem is played at an inopportune moment. Walter, on stage in his role as the doctor, rushes off stage to see to the recording. People in the audience think it’s the end of the play (entitled ‘Strange Ending’) and time to leave. Sylvia tries to stop the audience leaving, but Joe thinks he’s being cued to drop the curtain, which descends abruptly on Sylvia. The producer and Walter rush down to Charlie to turn off the recording, but someone hits the main switch instead, plunging the theatre into darkness.
A final spot lit shot shows a hand switching on the tape recorder. The final lines of the instruction reel playing: “You will be astonished at what a simple tape recorder can do.”
Title: The End
Context
Shot on 16 mm film, this amateur drama production was photographed by George Cummin in association with the Newcastle & District Amateur Cinematographers Association (ACA) which has been making cine stories and capturing the north east on film for nearly a century. It is the sole survivor of the five original ACA organisations in Britain, first set up in 1927. Newcastle & District ACA were storytellers, entertainers and documentarians – recording simple or sophisticated drama and...
Shot on 16 mm film, this amateur drama production was photographed by George Cummin in association with the Newcastle & District Amateur Cinematographers Association (ACA) which has been making cine stories and capturing the north east on film for nearly a century. It is the sole survivor of the five original ACA organisations in Britain, first set up in 1927. Newcastle & District ACA were storytellers, entertainers and documentarians – recording simple or sophisticated drama and comedies, travelogues and home movies, of which this is a charming example. George Cummin was a regular film maker with ACA, as well as a professional saxophonist and a reserve fireman during World War Two. He started making films in 1933, working on documentary and fiction films into the 1950s and 60s. such as The Secret of Ship's Entry. He later ran a record and sound equipment store in Jesmond, which is probably the one featured in this film. We hold several of Cummin’s films at the archive, notably the musical thriller Off-Beat (1965) starring the same cast as Sound … and Effect.
The Newcastle ACA headquarters at Ship's Entry, off Cloth Market, Newcastle upon Tyne, roughly between 1950 and 1980, was used in the production of this film, as with several other fiction films made in the 1960s and after. It was set up with a homemade cinema system, 63 cinema tip up seats, a soundproof projection box, motorised curtains, dimming house lights, and an impressive sound system. The standardisation of 16mm film in 1923 opened up the world of quality filmmaking to non-professionals and professionals alike. Eastman Kodak first developed this film format and pioneered accessible and affordable film technology during the early 20th century. Kodak had vastly improved the safety of its products too, with new-fire resistant rolls of film meaning that amateur filmmakers could enjoy a cigarette whilst projecting their home movies without fear of causing an inferno. By the mid-1930s, a German observer estimated that the British amateur cine scene had around 250,000 hobby filmmakers and about 3000 to 4000 of those people was a member of an amateur cine club; the home movie craze had taken hold of Britain. This film was made two years after 16 mm film’s successor Super 8 film was produced in 1965. From this point on, amateur film equipment became increasingly smaller, lighter, cheaper and easier to use, leading to increased popularity of home movie making and screening. The film revolves around sound recording and a Loewe battery operated reel to reel tape recorder (the Loewe Opta Optacord 414) which the protagonist purchases from a local store. The era from 1945 through to the 1980s has been dubbed "The Magnetic Era" so this film is a fitting homage to the times. The Germans invented and used magnetic tape recording back in the 1930s but World War Two restricted the market outside the country. After the war golf lover and movie star Bing Crosby famously bought and pre-recorded his radio shows on Ampex recorders so he could enjoy more time on the links. The Loewe company was founded in Berlin in 1923, but it was not until 1931, with the collaboration of physicist Manfred von Ardenne, that Loewe presented the world’s first fully electronic television to the public at the 8th Berlin Radio Show. In the 1950s, Loewe started producing the Optaphon cassette tape recorder and in 1963 the first portable television, the Loewe Optaport which featured a 25 cm screen and built-in FM radio. In 1981 Loewe produced the first European stereo television, making them true pioneers in the production of communication technology. The Bayswater Drama Group and the ‘Strange Ending’ play they produce in the film appear to be fictional, however the Russian play which they refer to is the ‘The Idiot’ based on the 19th century novel of the same name by Russian author Fyodor Dostoevsky. The title of the novel is a humorous reference to the main protagonist Myshkin, a young man whose sweet innocence and naivety lead the other characters to believe he is unintelligent. This may be a reference to the central character of this film who could mistakenly be taken for an idiot due to the bad luck he encounters while trying to undertake what ought to be the simple task of recording everyday sound effects on his new recorder. References: https://www.radiomuseum.org/r/loewe_opta_optacord_414.html https://www.americanradiohistory.com/hd2/IDX-Audio/Archive-Studio-Sound-IDX/IDX/60s/Studio-Sound-1963-04-OCR-Page-0039.pdf https://en.wikipedia.org/wiki/History_of_sound_recording#The_Magnetic_Era_(1945_to_1976) https://en.wikipedia.org/wiki/Loewe_(electronics) Mixing Music, Michael Miller (Alpha, 2016) |