Metadata
WORK ID: NEFA 13577 (Master Record)
Title | Year | Date |
TRIP TO GERMANY | 1939 | 1939-06-01 |
Details
Original Format: 16mm Colour: Black & White / Colour Sound: Silent Duration: 15 mins 4 secs Credits: Indivdual: James Cameron Genre: Amateur Subject: Travel Transport Architecture |
Summary An amateur film made by James Cameron of the Newcastle and District Amateur Cinematographers’ Association of a trip to Germany in June 1939. The film begins from a ship leaving Newcastle, crossing the North Sea and travelling along the Dutch coast to Cologne in Germany. Views of the city and its people are followed by a trip by paddle steamboat alo ... |
Description
An amateur film made by James Cameron of the Newcastle and District Amateur Cinematographers’ Association of a trip to Germany in June 1939. The film begins from a ship leaving Newcastle, crossing the North Sea and travelling along the Dutch coast to Cologne in Germany. Views of the city and its people are followed by a trip by paddle steamboat along the River Rhine to Coblenz and then Berlin. While visiting the city and nearby Potsdam he records life just before the outbreak of World War Two...
An amateur film made by James Cameron of the Newcastle and District Amateur Cinematographers’ Association of a trip to Germany in June 1939. The film begins from a ship leaving Newcastle, crossing the North Sea and travelling along the Dutch coast to Cologne in Germany. Views of the city and its people are followed by a trip by paddle steamboat along the River Rhine to Coblenz and then Berlin. While visiting the city and nearby Potsdam he records life just before the outbreak of World War Two including what is believed to be a member of Sturmabteilung (SA) on the street handing our pamphlets. The film also includes views of the Berlin Wintergarten which was destroyed by Allied bombing in June 1944. The final part of the film records the journey back to England via Ostend and London before arriving back in Newcastle by train.
The film opens on a ship moored along a quayside where a woman and man stand chatting with a man in a naval uniform.
Title: Passing Down the Tyne
From the deck of the ship views of the river follow as it travels along the Tyne including two steam tug boats moored on the river. A view of the entrance to the River Ouseburn is followed by that of the Spillers’ Tyne Mill under construction.
A Tyne Pilot jumps from the ship to his pilot boat before speeding away. The ship passes other vessels on the river as it heads into the North Sea passing the Tynemouth and South Shields piers.
Title: At Sea
Views around the ship and of other boats on the water as the vessel steams towards Europe. An officer stands on an upper deck near the wheelhouse looking out to sea.
[Colour]. A number of steam tankers or cargo ships sail past in the opposite direction. Another steam passenger ship passes also making its way towards Europe, the Dutch flag flies from a mast at the stern of the ship. A smaller steam ship passes heading out to sea as the vessel approaches a port. A French flag, the tricolour, flies from the mast.
Title: Dutch Coast
A view from the ship steaming along the coastline shows a flat landscape with a windmill near the shoreline which is followed by two small huts on top of a low coastal hillside. Looking back from the stern another steam passenger ship follows close behind before overtaking.
Buildings along the seafront of a Dutch town include a line of chalets along the sand. The view changes to show a large sea wall and a town in the near distance. A number of large cranes dot the landscape.
Title: River Pilot Comes Aboard
The Pilot climbs on board from his vessel, a second man descends onto the pilot boat which then departs heading for the nearby town where another windmill can be seen on the horizon. A red flag with the letter ‘P’ on it flies from the mast of the pilot ship as it moves away.
Title: Cologne
Pedestrians and traffic move through the streets of the German city with ships moored along the River Rhine. On Heumarkt a tram waits for passengers to board or disembark. Near the Equestrian Statue of Friedrich Wilhelm III a police officer directs traffic. A tram and lorry passes along Heumarkt while in the background a number of other trams cross over the Deutz Suspension Bridge. Pedestrians and a man on a bicycle walk and pedal along a narrow street of Heumarkt passing the ‘Cafe Voosen’.
A couple sitting under an umbrella at an outdoor café is followed by pedestrians and traffic moving along a road beside the Rhine. On the other side of the river a tall modern building with tower. A riverboat steams past and passengers wait at a river terminal.
A group of school children walk past Cologne Cathedral followed by views of the ornate medieval portal stonework around the cathedral entrance.
[B&W] Title: The Cologne Zoo
Statues of two large stags stand on plinths beside a gate into the zoo. Various views of the many animals and birds inside the zoo including goats, pink flamingos as well as a bear, lamas and a number of birds of prey and an owl in their cages. Two polar bears sit or swim inside their enclosure and a monkey eats a piece of fruit inside its cage watched by two couples. Views of more birds in their cages changes to show a man holding out a piece of food for a large bird who cautiously walks towards him. Back at the zoo entrance more visitors make their way into the park. An ice cream seller stands on the road beside a park with a fountain, a woman pushes a pram out of the park.
Title: Up the Rhine to Coblenz
[Colour] From a riverboat on the Rhine leaving Cologne two steam paddle boats follow behind. The boat passes a jetty, a sign above it reads ‘Bonn’ where passengers wait for another vessel. More views of buildings, jetty’s and people walking alongside the river as the riverboat continues its journey. A Nazi Swastika flies from the mast at the stern of riverboat.
Passenger disembark and step aboard the ship along a jetty. A large metal sign along the riverbank reads ‘Konigswinter;’ another over the jetty reads ‘Koln-Dusseldorfer. Rhein-Dampfschiffahrt’. The riverboat continues its journey along the Rhine. A ships officer looks down from an upper deck, the name of the riverboat is stencilled on a lifebuoy which hangs below him and reads ‘Bismarck’. Passengers relax on deck as they pass another steamboat heading in the opposite direction as they approaching the Ludendorff Bridge.
Title: Coblenz
The Bismarck is moored along a jetty and passengers begin to climb aboard.
Title: Bridges of boats
A section of a bailey bridge on the Rhine begins to move out of formation allowing the Bismarck to continue its journey. Pedestrians makes their way along narrow streets in the city passing various shops and cafés. A view of Kaiser Wilhelm memorial at Deutsche Eck is followed by a view of Hotel Riesen-Furstenhof.
Title: Berlin
Traffic speeds past the Reichstag Building, amongst all the cars a man pulls a cart followed by views of the Berlin Cathedral. Along a small narrow street two children play a ball game in the road. A shop nearby has writing stencilled above it that reads ‘Wirtshaust-Alt-Berlin’. A crowd walks along a busy road past a number of flower sellers. An older female flower seller prepares a bouquet from buckets of colourful flowers.
Pedestrians cross a windy square surrounded by ornate buildings. At a set of traffic lights vehicles wait for the lights to change. A number of cars are parked in front of the Hotel Kaiserhof on Wilhelmplatz. A policeman stands guard at the entrance of a large house, followed by another view of the Reichstag Building with traffic moving past in front of it. A number of marble statues adorn a park which includes a pond and decorative flowerbeds. Two men stand chatting near one of the flowerbeds. The taller younger man smiles and looks at the camera while his colleague smokes a cigarette. Around a set of benches a number of well-dressed men and women, some sitting beside prams, feed small birds who land on the ground in front of them.
Along Berlin-Mitte is the Berlin Wintergarten theatre with a decorative sign hanging above the entrance. A number of American flags flies alongside several Nazi Swastikas from the building beside the theatre. A man in a cap sells newspapers and magazines from a sandwich board as pedestrians walk past. At the Café Schon people relax around outdoor tables as pedestrians walk past. Traffic moves at speed along a wide boulevard. A member of Hitler’s Sturmabteilung wearing a brown shirt distributes pamphlets from a box that hangs over his shoulder. A group of musicians stand beside a number of parked cars. Inside the Café Wintergarten a waiter sets tables.
At night neon lights light up a number of Berlin attractions including the Central Hotel and the Wintergarten nearby. More views of various theatres and hotels around Berlin lit up with neon lights.
A sign along a platform at a railway station identifies the location as Potsdam. Traffic and cyclists travel along cobbled streets followed by that of a riverboat travelling along a river, a church tower can be seen on the opposite shore.
German soldiers march past the Potsdam City Palace as a tram and cars travel in the opposite direction. From two people in a canoe on the water the film changes to shows views of the City Palace with ornate fountains and statues. Views follow of St Nicholas’ Church and an ornate exterior staircase featuring metal cherubs along the railings.
In a city park an attendant waters the decorative flower beds and local women buy fruit and vegetables from an open-air market. Other stalls sell flowers. More views of the city is followed by a woman sitting at an outdoor café holding a menu that reads ‘Berliner Kindl Brau’.
A motorboat is moored on the river beside a building while a swan and two ducks swim beside a jetty for the Palast Hotel. Traffic and pedestrians pass by a large awning over tables outside the Café Victoria.
Title: Ostend
From behind a barrier a small crowd waves to passengers on board a ship as it pulls away from a quayside. Views of the Belgium city as the ship passes including the two towers of St Peter’s church in the distance. A number of wheeled chalets are parked up near to the beach and crowds watch from a pier as the ship heads out to sea.
On board large crowds of passengers fill the deck chatting and relaxing on deckchairs, others reading newspapers.
Title: Off Dover
A steam cargo ship passes between the ship and the White Cliffs of Dover before the ship passes a small lighthouse on a pier.
Title: London
Traffic including a number of red double-decker buses travels along a busy road and past a branch of the Westminster Bank Ltd and other businesses. Traffic travels along Whitehall and a man and young girl watch the pigeons in Trafalgar Square. Couples relax sitting in the edge of one of the fountains.
Standing in the middle of Charing Cross Road not far from St Martin-in-the-Fields a number of red double-decker buses as well as other traffic travelsl past. Outside Charing Cross Station two men have their shoes shined.
From a moving train a man looks out of a carriage to have a cigarette. An A4 class steam locomotive pulls into Newcastle Central Station and passengers disembark. The film ends on a traffic including a tram, passing by the railway station.
Context
A Trip to Germany by James Cameron was filmed in June 1939. The film was is part of the Newcastle and District Amateur Cinematographers’ Association collection. James Cameron was the founding member and secretary of at the time the film was made. The Cinematographers’ Association primarily covered local events along with some more amateur style films like “Flowers for Peter”. However, they all surround life in the Northeast of England apart from a Trip to Germany, which is unusual in...
A Trip to Germany by James Cameron was filmed in June 1939. The film was is part of the Newcastle and District Amateur Cinematographers’ Association collection. James Cameron was the founding member and secretary of at the time the film was made. The Cinematographers’ Association primarily covered local events along with some more amateur style films like “Flowers for Peter”. However, they all surround life in the Northeast of England apart from a Trip to Germany, which is unusual in comparison to the other films that have been acquisitioned.
The Newcastle and District Amateur Cinematographers’ Association was established in 1927 and it is the world’s oldest film and video club. At the time there was a number of these clubs being established around the country but many of them closed within the first four years of the original Amateur Cinematographers’ Association. In the 1930s, travel and tourism was gaining popularity with several advertisements being publicised to encourage people to visit different countries. In 1937, almost 20% of tourists visiting Germany were British. However, by 1939, this had decreased due to the increasing international tension that soon led to the outbreak of World War Two in September. In the years leading up to 1939, Germany widely advertised their country to boost the economy after the Great Depression in 1929. After the decline in tourists the London branch of Germany’s Tourist Board were given 100,000 Reichsmarks to try and tackle the falling numbers of British tourists to Germany. This is significant to the film as it could explain why Cameron visited Germany as he had an interest in travel and after the increase in advertising across the country this could have influenced his decision. Additionally by 1939, it was argued by Trade Unions that the government needed to be more flexible with people’s working hours. As a result many companies introduced salaried holidays, which also encouraged tourism not only in the United Kingdom but abroad too. As this is an amateur film, the intention is not for business/commercial purposes. Amateur films usually surround what the filmmaker has a hobby or passion in. Consequently, James Cameron may have had an interest in travelling and architecture and wanted to record his experience. The film itself takes the audience on a journey down the Tyne, across the North Sea to Cologne, Koblenz, Berlin, Potsdam, Ostend- in Belgium, London and then back up to Newcastle. Once in Cologne, Germany, Cameron films the Heumarkt which is the historical centre of Cologne that is well known for its architecture like the Cologne Cathedral. Cameron also films the liveliness of the town square showing trams, cars, people cycling and a policeman directing traffic. Politically, Cologne was known as being a difficult city for the Nazi’s to control and this is shown with little symbolism of the party across the city centre in comparison to when Cameron travels on a boat from Cologne to Koblenz, Berlin and later to Potsdam. When in Berlin, Cameron shows the Wintergarten, before it was destroyed in allied bombing in 1944 during World War Two. In the country’s capital, the city is portrayed to be livelier and more cultural with people congregating at cafes, restaurants and shops. In Potsdam, this is where glimpses of Nazism are portrayed. Cameron films people walking through the busy city centre and an assumed Sturmabteilung (SA) is handing out pamphlets to passers-by. At the end of Cameron’s trip to Germany, he passes through Ostend in Belgium on a boat filled with well-dressed individuals who appear to be holidaymakers. This is significant as it shows the increasing number of travellers abroad but also the fact that these people filmed on the boat in Belgium appear to be of middle class and affluent people. Therefore, it can be assumed that Cameron was of a similar demographic. From Ostend the filmmaker films a panoramic view of Dover as they reach the port and then head into the city’s capital London. Here the city is busy, and the well associated red buses are filmed before Cameron heads back to Newcastle via train. Cameron’s trip to Germany is significant in showing the development of tourism especially at time of great tension with World War II looming. |