Metadata
WORK ID: YFA 5431 (Master Record)
Title | Year | Date |
FOCUS ON NIDDERDALE | c.1982 | 1979-01-01 |
Details
Original Format: 16mm Colour: Colour Sound: Sound Duration: 23 mins 23 secs Credits: Filmed and produced by Ken Leckenby Subject: Rural Life Architecture |
Summary This is a documentary film made by Ken Leckenby of Leeds Mercury Movie Makers, providing a running commentary of the places and their history going through Nidderdale in Yorkshire. |
Description
This is a documentary film made by Ken Leckenby of Leeds Mercury Movie Makers, providing a running commentary of the places and their history going through Nidderdale in Yorkshire.
Title – Focus on Nidderdale
KL Films
The film begins with a montage of various places in Nidderdale. It then begins proper with Nidderdale Church followed by views over the valley and Pateley Bridge. Families wander over the rocks by the stream. A girl pushes a smaller girl on a rope swing on a tree in the...
This is a documentary film made by Ken Leckenby of Leeds Mercury Movie Makers, providing a running commentary of the places and their history going through Nidderdale in Yorkshire.
Title – Focus on Nidderdale
KL Films
The film begins with a montage of various places in Nidderdale. It then begins proper with Nidderdale Church followed by views over the valley and Pateley Bridge. Families wander over the rocks by the stream. A girl pushes a smaller girl on a rope swing on a tree in the village green of Lansdale outside the York Arms Hotel. There is the Hostelry, the Sportsman’s Arms in Wath, with a view looking down onto Gouthwaite Reservoir where several species of birds are seen. The film moves on down the river towards Pateley Bridge is the 35ft water wheel. A visitor goes into Stump Cross Caverns, followed by a tour of Pateley Bridge.
At Brimham Rocks, families are enjoying a day out. Moving towards Knaresbrough where the river meets the weir at Birstwith, the river cascades down a series of steps. At the village of Hampsthwaite, the filmmaker takes a look around the village and church before moving onto the nearby ruins of Fountains Abbey, the village, and the old stocks.
At Ripley, the castle and church can be seen. The church has with bullet holes where Cromwell’s men carried out executions after the Battle of Marston Moor. Then it’s to the Valley Gardens at Harrogate, with the Sun Colonnade, the shopping centre, and the new International Conference Centre and The Shay.
In Knaresborough, the castle and Plumton Rocks in autumn can be seen. Finally onto the maypole at Nunn Monkton, and the duck pond, where the River Nidd joins the Ouse. Here, there are men fishing.
Title – Filmed and produced by Ken Leckenby
Cine Sync, sound recording system
The End
A KL Production
Context
This gentle portrait of Nidderdale brings out a sense of place that is revealed through the eyes of someone who has spent a lifetime getting to know its many charms. The rather languid pace of the film reflects both the place and the temperament of its makers Ken Leckenby and his wife. A seasoned cine club member, Leckenby has made the most of the marvellous qualities of Kodachrome to produce some wonderful shots of the Dales, exceptional for an amateur filmmaker.
Although Ken Leckenby...
This gentle portrait of Nidderdale brings out a sense of place that is revealed through the eyes of someone who has spent a lifetime getting to know its many charms. The rather languid pace of the film reflects both the place and the temperament of its makers Ken Leckenby and his wife. A seasoned cine club member, Leckenby has made the most of the marvellous qualities of Kodachrome to produce some wonderful shots of the Dales, exceptional for an amateur filmmaker.
Although Ken Leckenby made films as a member of the Mercury Movie Makers Cine Club of Leeds, he made many films of his own, including a series of films he titled ‘Out and About’ which documented local events. He also made a number of documentary type films similar to this one, extolling the virtues of Yorkshire. Usually Ken would provide an informative commentary to go with the film. Ken would go out most weekends filming these, from the 1960s through to the 1980s. In fact, this film may well have been the last made by Ken or MMM using 16mm cine film, with Sony introducing their first camcorder, with combined sound, in 1983. |