Metadata
WORK ID: YFA 454 (Master Record)
Title | Year | Date |
FOUR WHEELS IN EIRE | 1949 | 1949-01-01 |
Details
Original Format: 16mm Colour: Colour Sound: Silent Duration: 1 hrs 4 mins Credits: Charles Chislett Subject: Travel Rural Life Family Life Architecture |
Summary This is a film by Charles Chislett of a family holiday touring Ireland, featuring his children Rachel and John. They visit many historic sites, including the Puck Fair at Killorglin. |
Description
This is a film by Charles Chislett of a family holiday touring Ireland, featuring his children Rachel and John. They visit many historic sites, including the Puck Fair at Killorglin.
Title - The story of a holiday
Intertitle - Having arrived at Bangor (Wales) overnight we set off in the morning to catch the Irish Mail boat at Holyhead
Rachel and John unpack their luggage from the back of the family car (a red Singer 12, reg. LWA 728) at the hotel where they are staying, across from a...
This is a film by Charles Chislett of a family holiday touring Ireland, featuring his children Rachel and John. They visit many historic sites, including the Puck Fair at Killorglin.
Title - The story of a holiday
Intertitle - Having arrived at Bangor (Wales) overnight we set off in the morning to catch the Irish Mail boat at Holyhead
Rachel and John unpack their luggage from the back of the family car (a red Singer 12, reg. LWA 728) at the hotel where they are staying, across from a church. There are horses and carts, and a road sign for Holyhead. They drive over the suspension bridge over the river, with John and Rachel standing in the car, heads out of the roof. A man is painting the cables of the bridge. There is a sign for the village of Llanfairpwllgwyngyllgogerychwyrndrobwll-tysiliogogogoch. Their car is driven off to go onto the ferry. Rachel and John stand watching.
Intertitle - Up on Holyhead there is more than a breeze!
They take a walk along the coast, near the lighthouse, where it is blowing a gale and the waves crash against the rocks. The children run over a red bridge walkway taking them across to the lighthouse. Rachel, John and Grace stand near the lighthouse, looking out to sea and down onto the bridge. Down on the dock Rachel and John jump over a bollard.
Intertitle - Morning finds us in sight of Eire
They land and wait on a platform for a train.
Intertitle - First impressions of Dublin
They drive off from the dock, next to the railway platform, in their car. Officials look under the bonnet of the car (the car having travelled on another boat). In the city centre they film the streets and traffic, including horse and carts. Grace leads Rachel and John across a road and they look at cakes in a shop window. They film down O'Connel Street with the Parnell Monument in the distance and buses going both ways. Then they look over River Liffey and at another cake shop. They visit the Zoological Gardens, viewing the various animals, including a large tortoise and a pair of long eared owls. They are next in a wide street, with a man laying a new thatched roof.
Intertitle - Picnic in sight of the Wicklow Mountains
They picnic near an old round stone building in a graveyard at Glendalough .
Intertitle - Kilkenny . . . . But no cats!
There is a large country house with battlements.
Intertitle - The old market town of Cahir
Cars are parked outside of Cahir House.
Intertitle - A wet day and the rock of Cashel
The streets are empty as it pours with rain. A car drives past. They visit the Rock of Cashel.
Intertitle - Tipperary
An almost bare street in Tipperary on a rainy day, with a rainbow overhead.
Intertitle - In the evening the hills are deep purple beneath a wild sky
Large clouds dominate the skyline over the fields. Rachel emerges from a building with a tiger head on and John behind.
Intertitle - Next morning we explore Cahir before breakfast
The streets are now sunny, although still almost deserted. Some of the local landmarks are shown, including a church. They do a tour of the Castle, with Rachel and John running around the canons, and looking out at the countryside from the top. Back in the main street through Cahir there are several horse and carts. There is an AA road sign for Lismore, 13 ? miles away.
Intertitle - Over the Knockmealdown Mountains
The mountains and surrounding landscape is shown. There is another large country house with battlements. Some travellers with horses and ponies pass them down a country lane, with a scruffy boy, and some goats, bringing up the rear. Grace and the children emerge from a shop, (Harney's?), carrying provisions. They are next in a city, with a docks, where Rachel posts a letter. Crops are being harvested in a field.
Intertitle - Bantry Bay with the Kerry Mountains ahead
Rachel and John throw stones out to the sea, as the sun goes down.
Intertitle - Morning in Kenmare
Two men come by with a donkey and cart as Rachel and John load the luggage into the car. They drive off and arrive in Kenmare. They stop on a coastal road, looking out at the sea and mountains. Farmers stack peat to dry in a field. The stop along a coastal road and Rachel and John go down to play ball and swim in the sea. Rachel comes out covered in seaweed. They look into an old abandoned stone cottage.
Intertitle - Next morning we set off for the 'Puck Fair' at Killorglin
They briefly look at the town and walk around the area. Rachel and John clamber over the stone in a river.
Intertitle - Half the tinkers in Ireland gather here for the three days of the fair
There is a long line of old style caravans. In the town there is a cattle market, and people inspecting horses. A man sits in a chair high up on a scaffold to conduct the auction. Another man speaks to a crowd gathered around him, outside the restaurant of A. Morris. Rachel gets her palm read. The horses are gathered together in a field with their owners and prospective buyers. In the background there is a fair ground and swings. Two men do a deal.
Intertitle - We follow the Atlantic Coast road
The children feed some turkeys, and go for a swim in the sea again, before sunbathing on the rocks.
Intertitle - 'Family golf' on the Kenmare 9 hole course
The whole family have a round of golf.
Intertitle - "Let's go and picnic at Glengariff"
They drive along a country road, and through a tunnel, arriving at the lake. Rachel plays with a dog. They take a rowing boat out onto the lake. Cormorants stand on the side.
Intertitle - Garinesh Island is there . . Believe it or not
They look around the gardens on the island.
Intertitle - A sea mist creeps over the hills to Kenmare
After looking at the mist, Rachel and John stand looking at the crucifix at the end of Dingle Peninsula.
Intertitle - In the morning we explore around Kenmare
Rachel and John play on some stones in a field. There are derelict houses and the village of Kenmare.
Intertitle - No day is complete for some people without a bathe
Rachel and John again go for a swim in the sea.
Intertitle - Staigue Fort was built by the Picts
They walk around the fort, Rachel and John wearing their swimming costumes.
Intertitle - Next day we follow the road to Glenmore which skirts the Kenmare Estuary
They park up, overlooking the estuary, and wander around the countryside, again seeing some abandoned crofts. Chislett stands on a rock looking out at the view.
Intertitle - The local Regatta
A crowd has gathered to watch the regatta, including Rachel and John, drinking pop. A boat load of men, all wearing swimming trunks, dive into the sea and have a swimming race, followed by a game of water handball. Some are made to 'walk the plank'. Next they are at a village market with cattle and pigs. They continue their journey through the countryside, arriving at 'Kate Kearneys Cottage', Killarney, where people are on horseback and one man blows a bugle. There is another view of mountains overlooking the sea.
Intertitle - Killarney
They film some streets in Killarney, with cars and horse and traps.
Intertitle - Kilkee faces the Atlantic
They film much of the coast, with Rachel again swimming in the sea.
Intertitle - Homeward bound
There is a tall old building, and then the boat they are to take back, finishing with a sunset.
The End
Context
Charles Chislett was an extraordinarily prolific filmmaker, with a collection of nearly 100 films, and had an extraordinarily active life. Chislett was bank manager of Williams Deacons (now the Royal Bank of Scotland) in Rotherham, but he had a great variety of interests and hobbies outside of this. Many of his films were commissioned promotional films – like the ones he made for Parkgate Iron and Steel Company and for the Pastoral Aid Society (CPAS), of which he was an active member – but...
Charles Chislett was an extraordinarily prolific filmmaker, with a collection of nearly 100 films, and had an extraordinarily active life. Chislett was bank manager of Williams Deacons (now the Royal Bank of Scotland) in Rotherham, but he had a great variety of interests and hobbies outside of this. Many of his films were commissioned promotional films – like the ones he made for Parkgate Iron and Steel Company and for the Pastoral Aid Society (CPAS), of which he was an active member – but most are family films. Some of the latter are based in Yorkshire, but many are holiday films from around the world. Clearly being a banker has always been a profitable occupation: from his first filmed holiday abroad with his wife Grace in Switzerland in 1935, he went on to film no less than 31 holidays abroad, and 17 in the UK. In the year that this film was made, the Chislett family also had a motor trip through Norway. An accomplished amateur filmmaker, with photography qualifications, Chair of the Rotherham Photographic Society and a Fellow of the Royal Geographical Society, the holidays are usually lovingly filmed on 16mm Kodachrome.
Not content with filming his trips, and taking hundreds of photographs, Chislett would then show the films for anyone who was interested: at schools, charity organisations, the Chamber of Commerce and literary societies. When showing films Chislett would give a running commentary, with slides as well as film. By June of 1966 he had received over 900 invitations to lecture to his films. He also kept a detailed record of many his holiday trips, including the original bookings and schedules, often with Thomas Cook, which the YFA also holds. His daughter Rachel recalls that holidays were often plagued by adherence to filming schedules and having to repeat actions for the camera. For more information on Chislett see also the Context for Rachel Discovers The Sea (1937) and New Lives For Old - St George's Crypt (1951). In a presentation titled The Armchair Traveller: The Travelogues of Charles Joseph Chislett, given to the Annual Northeast Historic Film Summer Symposium, ‘ Visions of Travel and Mobility’ in July 2013, Sue Howard the Director of the YFA, notes that the family became connecting links in the films for scripting wider travel stories. Looking through the eyes of his wife Grace and his children, Rachel and John, these stories could reach a much wider audience. Although at the time large numbers of Irish labourers were migrating to Britain for work, not many British were taking the opposite journey. In the days when few had holidays abroad, Chislett was opening up new horizons with his film shows. Having passed through the wonderfully named Knockmealdown Mountains (the English name), perhaps the most fascinating item to be seen in the film is the Puck Fair at Killorglin, in County Kerry, Ireland’s oldest traditional fair which takes place over three days every August. On the first day, Gathering Day, a wild mountain goat is caught and paraded through the town, crowned “King Puck” by a local 12 year old girl, and raised up onto a sixty foot platform where it remains for three days before being released back into the wild. The first day is also the horse fair, the second is devoted to cattle and sheep, and the third day is Scattering Day. At this time the pubs would stay open the entire time, day and night. The origins of the fair have been lost in the mists of time, although it is known to date back at least to 1603. The most common story regarding its origins has it that a he-goat escaped the English under Oliver Cromwell in 1649 when they were rampaging around Shanara and Kilgobnet, to warn the villagers of Cill Orglain (Killorglin). It may be that the origins of the fair go back to pre-Christian times, with the goat being a pagan fertility symbol. There are more stories linked to the event on the official website (see below). Here we are also informed that the word Puck, or ‘poc’, is Irish for a male goat, in Irish Aonach an Phoic, meaning “Fair of the He-Goat”. The fair is also the derivation of the saying, “Where a goat acts the king, the people can act the goat!”. Another meaning of the word, which fits this saying, is ‘a mischievous demon’, or a wise knave, hence the character in Shakespeare's A Midsummer Night's Dream, the “shrewd and knavish sprite”. The name has justifiably been linked with the Purcells of Irish descent. The Festival still takes place each year, although it has to be said that today it seems to lack the charm that it has here in 1947 – the old timber scaffold now looking like one off a building site. It has also come under criticism from those who have compassion for animals, such as People for the Ethical Treatment of Animals (PETA), who have made an appeal for the practice of capturing and holding a wild goat to be stopped. Further Information The YFA has an extensive collection of material from the Charles Chislett archive. This includes correspondence, film scripts and notes, photographs, promotional material, correspondence on travel arrangements, engagement diaries for public lectures, notes of fund raising for charitable organisations, personal letters home whilst he was away, sketches, photographs, slides and an obituary written by a close friend. This is accompanied by an itinerary of documents within the collection produced by Fiona Latham. Puckfair |